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Ihatemodels

Immagine
  Guillaume Labadie found his way into music through middle school, first drawn into hip-hop, punk, and metal. An electronic remix EP of one of his favorite bands led him to explore more high-energy reworks of other metal and punk tracks, and set the blueprint for his work today. He wrapped up 2016 with a series of singles and EPs, showcasing a dark, driving, and at times aggressive sound, and an ability to effortlessly bridge acid, techno, trance, industrial, and ambient. More recent outings on Perc Trax, Monnom Black, and Rave Or Die, all typically intense and cold but not entirely cohesive, established Labadie as one of industrial techno’s most-talked-about artists with hundreds of thousands of online plays. He’s done this while maintaining anonymity, donning a bandana in his sets and almost entirely evading the media. Today, Labadie returns with  L’Âge Des Métamorphoses , his album debut. The 12 tracks are as expansive and widescreen as all that has come bef...
Anyone older than 25 might find parts of the first album by I Hate Models, real name Guillaume Labadie, familiar. L'Âge Des Métamorphoses , a monstrous 93 minutes long, has hints of mid-'00s electro house scattered across its 12 tracks, so much so that parts could be mistaken for some forgotten Boys Noize banger. But the LP has more in common with electro house than just its sound. Its atmosphere is sometimes energetic and aggressive, and tends to evoke the same kind of reactions as Justice's music: people headbanging. Acts like these thrive on shock and awe, attacking dancers with heavily compressed synths and relentless drums. As we see on L'Âge Des Métamorphoses , that approach doesn't create music with depth. Thanks to a string of popular tracks released since 2015, Labadie has become a poster boy for modern industrial techno. His tunes get hundreds of thousands of plays online (his biggest has topped two million), and his gig schedule puts him among dance musi...